The Time Machine

Two suggestions for a cover of the book The Time Machine by  H. G. Wells. They were made with corel painter for the course of Declinazione dell’elaborato grafico, directed by professor and illustrator Paolo D’Altan, at ISIA of Urbino (PU, IT).

The Time Machine 

2018,

digital painting,

15,8 x 15,49 cm.

Birches

Nozzle of a birches forest made with corel painter for the course of Declinazione dell’elaborato grafico, directed by professor and illustrator Paolo D’Altan, at ISIA of Urbino (PU, IT).

Birches

2018,

digital,

various sizes.

Patterns

Digital drawings for some patterns made with corel painter for the course of Declinazione dell’elaborato grafico, directed by professor and illustrator Paolo D’Altan, at ISIA of Urbino (PU, IT).

FennelPomegranate

2018,

digital,

various sizes.

Brushes Palette

I've made a brushes palette made with corel painter for the course of Declinazione dell’elaborato grafico, directed by professor and illustrator Paolo D’Altan, at ISIA of Urbino (PU, IT).

2018

Federica Faccin

Black Bird Female

I adjusted an old illustration with corel painter for the course of Declinazione dell’elaborato grafico, directed by professor and illustrator Paolo D’Altan, at ISIA of Urbino (PU, IT).

Black bird female

2018 / 2017,

digital painting / gouache, indian ink and watercolors on paper,

various sizes.

Morte per absentia, Calligraphy and Illustration

Morte per absentia (Death in absentia) is an illustration project I’ve made for the course of Calligraphy, directed by professor Monica Dengo at ISIA of Urbino (PU - IT). Here you can see the final project, which provides an illustration that 

communicates and interacts with a handwritten font, suitably designed for the immage.

Morte per absentia

2017,

wood mordant on paper,

various sizes

Tombe

The southern Cemetery of Tournai (BE) was founded in 1784, a few months after the release of Joseph II’s edict, which prohibited the burial of bodies “in cities and villages”. This necropolis has lived many symbolically charged historical moments; it is a witness to the precious work of stone craftsmen. 

The placement of the tombs inside the cemetery depends on the social class of the citizen and his relatives; little has been left of the burials of the less well-to-do families.

What amazed me the most about this cemetery is the close and indissoluble relationship between the dead bodies and nature. The graves are broken, open, there is ivy everywhere, there are even cats that enter the holes in the family tombs. A gloomy and at the same time fascinating view.

Address: Chaussée de Willemeau 135, 7500 Tournai, Belgium 

Tombe

2017,

mixed media on paper,

32 x 23 cm.